LUANA, THE GIRL TARZAN
(LUANA LA FIGLIA DELLE FORESTA VERGINE)
An Online Summary and Review at www.dvdtalk.com
Actually,
you'll be hard-pressed to find much of darkest Africa in the studio jungle
sets of 1968's Luana, The Girl Tarzan. In the film's confusing prologue,
George Barrett (Glenn Saxson), an intrepid African explorer, is being pursued
by a "terrifying" (read: they wear a lot of makeup) group of African tribesmen
who wipe out George's group, and almost kill George as well, with a deadly
volley of poison darts. Just as the tribesmen move in for the kill on paralyzed
George, a mysterious Asian jungle beauty, Luana (Mei Chen, of Queen of
the Vampires fame), shows up, her mere presence making the tribesmen hightail
it out of there. She removes George's darts, and before he passes out,
he notices a peculiar pendant that Luana is wearing.
Some time later (the film isn't exactly clear on this),
George is tracked down by Isabel Donovan (Evi Marandi), the beautiful daughter
of a scientist who had crashed landed in the dense jungle fifteen years
ago. Isabel had read George's book on his experiences in the wild, and
decided that he's the best guide to help find her father's remains. But
George has gone to seed (big tip-off: he doesn't shave), and spends his
time gambling and drinking. Eventually convinced to help her, George and
Isabel make plans to head out into the studio-created jungle sets to find
her father. But death stalks the romantic, strangely-ill-at-ease couple;
someone doesn't want George and Isabel to find her father's remains, and
the bodies start to pile up.
Coming upon a jungle village (which for once, is actually
shot outside), George finds that his bearers have all been dismissed, so
he challenges Ukeke (Al Thomas), the man who supposedly is responsible
for the manpower shortage, to an impromptu arm wrestling match. While it's
no Over the Top, this match does have the added benefit of deadly scorpions
waiting to strike the loser. Quitting when he realizes he's beat, Ukeke
is arrested and held captive until George can return and properly deal
with him. Continuing on with their trek, Norman (Pietro Tordi) shows up
to help Isabel; he's the scientist partner of her late father, and something
of a guardian to Isabel. Against Norman's advice, Isabel tells George the
circumstances behind her father's journey and crash. Evidently, her father
was traveling with his Asian princess lover and her three-year-old daughter
(I kid you not).
Inside
the deepest parts of the jungle, the team continue on the booby trapped
pathways, while George tries to figure out why mysterious tribesmen want
the group dead. And all the while, watching from the jungle, just out of
reach, is Luana, who smiles at everything the group does, but who skitters
away when approached. She saves Isabel (who sleeps during the ordeal) from
a poisonous tarantula, and then watches her bathe nude in a startlingly
realistic studio-erected lagoon (see picture), as well as watches George
and Isabel make out (which Luana pantomimes with a chimp - yes, you read
that right). After a "savage" tropical storm (mild precipitation, no wind),
George and Isabel make love (Luana watches this, too, but thank god, the
chimp is MIA this time), and afterwards, George playfully chases Luana.
Eventually, Ukeke, who escapes his bonds, teams up with the traitor in
the group (take a wild guess) and captures George and Isabel, who both
discover that drugs are at the center of this jungle mystery. Will Luana
prove to be a helpful ally in this deadly game of drugs, monkeys, blow
darts, and studio palm fronds?
It's hard to determine exactly what director Roberto Infascelli
was going for with Luana, The Girl Tarzan. The central character,
Luana, has to be one of the most passive action heroes in the annals of
cinema derring-do. Luana, who seems to be rather challenged in the thinking
department, spends most of the film just walking around the jungle, watching
and smiling at the antics of the explorers. Is she high on the drugs her
father was growing? Did a coconut drop on her head at an early age? It's
tough to say, but never have I seen a title character do so little -- and
when she did do something, do it so idiotically (watch her put Isabel's
bra on her head -- it's a heaven-sent moment).
And there's precious little action from the other characters
to offset their curiously catatonic lead. George and Isabel do a lot of
mooning at each other, but the very few shots -- not scenes -- of action,
are so unconvincing it's a wonder Italian film fans, who were coming off
the violence of Leone and gearing up for the ultra-violence of Bava and
Margheriti, didn't riot at the utterly tame nature of Luana, The Girl
Tarzan. It doesn't help that the sets are so laughably fake, making
Gilligan's Island look like a gritty documentary. And it's the same little
ten by ten foot set in each shot, with the actors invariably entering stage
left and exiting stage right, time and time again. Constantly inserting
badly-matched stock footage does little to alleviate this situation. Ridiculously
fake sets, zero action, lots of stock footage, and some questionable acting
(read: rotten), makes for an interesting, to say the least, time in the
jungle.
http://www.dvdtalk.com/reviews/27491/luana-and-karzan-jungle-lord-the-italian-jungle-collection/